Red, Oh Red, Oh Red...

We are in the process of creating our workflow from the RED to a manageable data size for editing a pilot. My computer whirs with the first round of exports, for a test on Jason's editing system.  We have gone from the 4k files to a 1280 x 720 frame size, trying to match the data rate of the P2 cards as Jason's system handles files off the P2 cards just fine.  After all, the intention is not theatrical, but for the DVD players and televisions of perspective investors.  

Most times when I meet a filmmaker I have not worked with before, the phrase "the right tool for the right job" slips out of my mouth.  Usually that is in reference to some piece of audio gear.  However, it is true in every degree of filmmaking.  We shot on the RED by a chance, not by intention.  And despite the more complicated work flow and the lack of need for 4K, it proves to be a great experience for the future of Hell Hole, The Series.